Thursday, 12 November 2015

Moodboard - Action

 
 
Mood Board
Action
 
 



This mood board displays all the stereotypical conventions of an action film. The typical Mafia/ gangs who cause the masculine, attractive main man trouble, but due to his very skilled past in fighting he will always come out on top. His attractive love interest either converts to stereotypes and is portrayed as weak and vulnerable and needed to be saved, or the women can subvert and be equally as lethal as the man main. Both antagonists and protagonists have guns although the protagonist only uses it for the greater good, and kills bad people whereas antagonists use their weapons in a destructive and ruthless way, resulting in many deaths and heart ache. Typically in action films explosions, mass amounts of money, drugs and car chases are used all to create excitement and keep the audience interested. Generally based in a recognisable setting, such as a busy city. Finally the Police or FBI tend to get involved but never seem to be able to create justice compared to the main man.

Film Names Idea - Planning



Initial Film Name Ideas


  • Bad Blood
  • International
  • Twins
  • Justice
We decided to go with International in the end as we feel it sound most professional and sophisticated, reasons for not picking bad blood was because Taylor Swifts song may be thought of immediately, and the other two names we felt didn't meet the requirements.




INTERNATIONAL

Movie Trailer Notes



Movie Trailer Notes




Certificate: 15
Release date: Summer 2016
Film name: International/Bad blood

Cast:
  • Matt Cottee {Kingsley brother 1}
  • Billy Cottee {Kingsley brother 2}
  • Chloe Hicks {Agent Miller}
  • Amy Knight


Key scenes:
  • Chase up to rooftop
  • Ending – punch
  • Drops picture of loved one
  • St Pauls through two buildings
  • Phone ringing (close up)
  • Mi5 building
  • Shots of Miller driving
  • Walk across screen – shot changes
  • Blood on her hands

Films to take inspiration from:
  • Lara croft
  • Hunger games – Katniss
  • Divergent series – Tris
  • Wanted (teacher)
  • Mr and Mrs Smith – female spy
  • Taking lives (FBI agent)
  • In the blood – fights to find husband
  • Untraceable – FBI agent (more of a drama)

Trailer plot:

Shot & length 
1st version
Back-up (lack of shots in America)
N/A
Starts with film production titles? – analyse first 10 seconds of trailers

E.S
Establishing shot of Washington (white house/Lincoln memorial)
Establishing shot of London (St Pauls - somewhere grand)
L.S, Over the shoulder, over the shoulder high angle, M.O.A
Miller sat by the Lincoln memorial lake (reading article about case solved, murderer put away?)
Same but in front of St Pauls/Trafalgar square
Close up – low angle
Zoom in shot – flashback to murder scenes
Phone call from boss – its them, they’re out again (Kingsley brothers) need to pick up package from NYC and then fly back to London



Establishing shot of NYC (night/day depending on shooting times)

L.S/Close up
Brush past and pick up package
If L.S too hard then just do close up – if still to hard then pick package up from pre determined location
M.S
Flight scene on plane – looking at picture of family on phone
Shot on ferry (O.T.S shot)

Plane landing (airport scene, looking up as I arrive)
Departing ferry
E.S
Cut to outside (London)  night


Boat party scenes – look at phone, step outside to take call, front of boat scene, they’re somewhere on the boat, shots of their legs sat in fancy chairs, the backs of them, clinking classes drinking – shots as I try to find them,


Boat docks, chase them, shots of them walking (no rush, sophisticated) race towards train station – shot of train leaving


*change in music* setting back-story researching them, looking over old cases, flashbacks of them beating someone up – Miller drinking alcohol


(shot of MI5 building in London) Dialogue of colleagues, explaining Kingsley brothers are back, what they were previously convicted of


Bump into him down a street (flashback of shooting) – realise its him, follow him into car park basement





Overview:
Miller is a great agent working in London and although she has closed many cases in her career she is still haunted by her childhood memories of her mother being killed after a run in with the Kingsley brothers when she was only 8 years old – she has a personal vendetta against them for what they did to her family and was happy to see them arrested and set to go to jail for the rest of their lives a few months previously. After closing yet another case in Washington she is forced to return home to the UK as she hears the news of their release as they managed to manipulate the jury to free them. She has the key to putting them away for good but must find them



Film Overview - Planning


Film overview 

Miller is a great agent working in America and although she has closed many cases in her career she is still haunted by her childhood memories of her mother being killed and herself being left for dead after a run in with the Kingsley brothers when she was only 8 years old  – she has a personal vendetta against them for what they did to her family and was happy to see them arrested and set to go to jail for the rest of their lives a few months previously. After closing yet another case in Washington she is forced to return home to the UK as she hears the news of their release as they managed to manipulate the jury to free them. She must pick up a package from NYC that will secure there demise before going back to London to find them and bring them to justice.
Her mission may not be as straight forward as other cases though as these two brothers know how to work the system, after loosing them several times and with her evidence shunned by her boss she decides to take justice into her own hands. Researching deeper into their past she finds she's not the only family who has suffered at the hands of the brothers and this cases is bigger and more complex than anything she could have ever imagined - murders have happened all over the country, but more than that they occurred on an international scale. In trying to bring these two brothers to justice Miller discovers the death toll lies in the hundreds but what links all these murders together? As the stress of this case hits home and the people she once thought she could trust turn against her she realises she will have to put everything on the line if shes to have any chance of bringing these international killers to justice.

Stereotype Representation - Planning



International
Representation Of Stereotypes







In an Action/Spy genre films Men are normally portrayed as the protagonist due to the stereotypes that represents them as independent, muscular and dominant therefore giving them more prevalence in the films than the female characters. However our trailer undermines the stereotypical male action hero, as our protagonist is a strong, intelligent and fearless woman who tries to get revenge by herself, subverting the “damsel in distress” characteristics.





The antagonists in an Action genre are usually males who give off a mysterious aura because their identity isn’t revealed; we will use this effect for the beginning of our trailer. The twins “Kingsley Brothers” connotes evil and will be represented as the stereotypical villains who have committed a crime which then has an impact on the protagonist. Due to their first impression the audience will be notified about their role in the film.

Actors and Props Research


International
Actor and Props 


Cast:

  • Billy Cottee (Kingsley Brother #1)
  • Matt Cottee (Kingsley Brother #2)
  • Chloe Hicks (Agent Miller)
  • Amy Knight (Agent Knight)

Props:


Package: When Agent Miller flies to NYC she has to pick up a package, we want a rather small package as we will have to carry it around whilst were out filming so a massive box would simply be impractical. We shouldn't have any trouble finding a package as they can be easily purchased online or get one from home as many things are posted in similar packaging to what we hope to have.






Phone: This is one of the more crucial props that will be used continually throughout the trailer, key scenes are when Agent Miller is sat in front of the Lincoln memorial in Washington, when she is contacted at the party in London. It is a handy prop as not only does it make sure our film isn't stuck in the dark ages but it allows us to easily link multiple locations quickly and cheaply and requires less actors - something which we were initially worried about.



Gun: As this is a spy movie a gun is key, this will be a simple prop that Agent Miller and probably the antagonists will have as it's a convention of the action genre. We will obviously use a toy one but will have to be careful when using it in public as we could get told off by the police.






Newspapers: This is a minimal, simple prop that we may use when Agent Miller is sat in a cafe and reads the news of the brothers release - to make it more modern though we may use a phone or laptop.

Location Research


Location Research 

For an action film the settings are unlimited, you could shoot underground, in a fancy house/building, in a field - anywhere as long as it looks visually stunning. We live on the doorstep of one of the most impressive cities in the world - London - and best of all its free and to film there and only takes and hour or so to get to therefore this is a must have for our film, even if its just a few establishing shots of London from the south bank, with it sat right on our doorstep it would be foolish to miss out. Not only that but the trains going up to London look very impressive on film and, just like Big Ben or London eye, are great signposts to give the audience awareness of where they are in the world.  






For a action trailer the conventions are that there are lots of long shots establishing setting as they want the audience to know what part of the world they're in and what to expect from that environment, also fancy buildings, chase scenes in cities and views from high above the skyline are conventional to help make the film look amazing and eye catching. This is therefore a great excuse to jam in as many establishing shots of fancy cities all around the world as in a trailer they don't necessarily need to be elaborately explained - as long as they're in your film trailer it's going to look high budget and visually stunning. As we're going to America early next year it's a golden opportunity to get some amazing shots of the skyline and other signpost buildings in NYC (Empire state building, Statue of liberty) that will make our film look more like a real action trailer.


To make things even better we are also going to Washington in America so can get some great shots of the White House and we plan to film one of our opening shots in front of the Lincoln memorial - really making our trailer look good. Any other opportunities to film scenes in America we will cease but we plan to have back up shots filmed in London before we go in case for any reason we are unable to get the desired shots. 


We also plan to hopefully get some shots of a plane taking off or landing to add in to our trailer to show our character leaving/arriving certain destination and also possibly get a shot of our main character on the plane which we will take when we are actually flying. A great shot which I fear we may not achieve but we will try anyway is a shot of our main character walking through the airport, this poses so many filming problems and is technically quite hard so I don't hold out much hope of achieving it but never the less we will try.


Also linking back to our shots of London is a perfect opportunity to get night shots of London and shots of a party is when we go to our sixth form boat party on the Thames in London. A few establishing shots of London at night and interior shot of the boat party should be enough so that later on in filming we can add context to these shots and fit them in with the rest of our trailer.


Another possibility is filming on the Isle of Wight - a few shots of our main character stood on the cliff top at dusk could look amazing and add to the effect that our film has a massive budget. This is an added extra and if we don't achieve this our film trailer should still look amazing. Boarding/exiting/riding on the ferry could be a back up for if we cant get the plane shots in America.



For our dramatic pinnacle to our trailer we thought using a rooftop would be dramatic - this is quite hard though and to make it more exciting our characters will race up a multi story car park to the top where they will have a stand off to finish our trailer.



So after some time thinking about different settings we have come up with quite a variety that should hopefully make our film look visually stunning and seem as if we have a very large budget. A summary of the locations we expect to use are:
  • Washington
  • NYC - plane
  • Isle of wight? - ferry
  • Boat party
  • London
  • Multi story car park